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About Martin

Rodger Martin is a poet and journalist who believes in promoting accurately all things beautiful about language.

Poetry Bridging Continents IV: A Summary

“Rivers were made … in heaven.”

Robert Frost

October 27-November 2, 2019

In 2019, a poetry exchange that has now spanned four years, seven poets and scholars from China visited New England as part of the fourth Poetry Bridging Continents symposium. This is a brief summary of that event. As you will see, many of the pastoral poetry retreat members have participated in these exchanges.

Day 1, October 26

After an overnight stay with hosts Carl & Lynda Mabbs-Zeno in Peterborough, New Hampshire, and the New Pastoral Poetry House in Hancock, the group participated in a joint ekphratic exhibit/reading at the Jaffrey Civic Center, Jaffrey, New Hampshire. Artists Susan Wadsworth and poets Susan Roney-O’Brien, Chen Yihai, and Zi Chuan read with poets Kim Peavy, Denni Dickler, and Eric Poor as they read their poems in response to Wadsworth’s art, many in both in English and Mandarin—a fortuitous exchange since Kim Peavy then invited the poets to visit her organic farm and draft horses later in the week.

l-r: poet Si Nan, poet Yu Qui, poet Chen Yihai, poet/calligrapher Zi Chuan, scholar Wang Gugin, poet Rodger Martin, poet Benjamin Landuaer, poet Denni Dickler, poet Maura MacNeil, poet Kim Peavy, poet Bu Lan Chen, poet Eric Poor, spouse of Kim Peavy, artist Susan Wadsworth, Jaffrey Civic Center, Oct 27, 2019
Day 2: New England College, Henniker, New Hampshire

The motorized cavalcade then followed the Contoocook River north to New England College in Henniker, New Hampshire, where the symposium itself began Monday morning, October 28, with an American renga creation. The American renga is an evolution of Massachusetts poet Steven Ratiner’s renga creation using written language in place of calligraphy. The American renga adds three-brush stroke glyphs to a mathematical call-and-response progression among a group of poets.

l-r: Berwick Academy student, poet Si Nan, Berwick Academy student, Maggie Martin, Claire Golding, Berwick Academy student with their renga, New England College, October 28, 2019
One of the eight finished rengas created that morning.
Following the renga ceremony, held in a tent outside The Simon Center, came the official opening pf the symposium with a welcome by New England College President Michele Perkins and an exchange of gifts, one of which is shown below.
A gift to New England College President Michele Perkins (r) of an original poem, calligraphy and art by noted poet and calligrapher Zi Chuan.
The afternoon comprised of sessions in both languages including a session on Chinese poetry and a Worcester Review panel on how American poets re-purposed the pastoral tradition which permitted them to move into the 20th Century with a strong environmental theme whose impact laid the framework for the 21st Century poets of the Anthropocene such as Gary Snyder.
Poet and Scholar Chen Yihai of Yancheng Teachers University speaks of the pastoral tradition in China.
Day 3: New England College, Henniker, New Hampshire and tours of organic farms in western Cheshire County, New Hampshire

Zi Chuan began October 29 with a panel on archiving poetry in both nations and a morning workshop on calligraphy. This was followed by a visit to Keene State College, sit of the 2017 symposium) and a dedication of a calligraphy in Hale House. The afternoon was a all home-grown lunch at Mark Long’s West Chesterfield followed by a tour of New Dawn Organic Farm and the organic farm of Kim Peavy in Westmoreland where the farming is done the old-fashioned way with draft horses.
The Worcester Review Panel on New Pastoral and Anthropocene poetry. l-r: Poet Susan Roney-O’Brien, poet Claire Golding, Worcester Review editor Kate McIntyre, translator Benjamin Landauer, poet Maura MacNeil, poet Rodger Martin, scholar Mark Long
The poets from China spent their evenings at The Henniker House B&B with a meal at Daniels, both on the banks of the north-flowing Contoocook River where indeed, as Frost put it, the “rivers were made … in heaven.”

Day 4: Keene High School, New England College, Franconia, and Crawford Notch, New Hampshire.

Day 5: November 1, Crawford Notch, New Hampshire

The White Mountain portion of Poetry Bridging Continents closed with a morning session by Inez McDermott on visual art in The White Mountains. In the evening, the poets provided a second dual-language reading to a full house of hikers, and visitors. This time the weather cooperated.

Day 6: November 2, Dennysville, Maine
The poets left the Mountain View Grand Hotel in two cars and headed straight east on a five-hour journey through the forested interior of Maine, including a forced stop while deer crossed the highway somewhere in the vast hinterlands of Western Maine. The destination was a tiny hamlet in Down East, Maine called Dennysville where the visiting artist group participated in a reading/music/calligraphy event at the Atelier LaForest run by Melinda Jaques. Dennysville has a total population of about 350 and it seemed most of the town had participated. This was followed by an evening reading in a most remarkable lounge in the Benjamin Lincoln (George Washington’s second-in-command) House a short distance away from the gallery.
Zi Chuan creates calligraphy for Melinda Jaques (l) at Atelier LaForest, Dennysville, Maine
Day 7: November 3, Zaijian (Goodbyes)
Goodbyes at the harbor edge in Lubec, Maine. Canada’s Campobello Island is across the inlet. L-r: Bu Lan-chen, Rodger Martin, Zi Chuan, Rodney Obien, Yu Qui. Taking the photo is Si Nan.